STUART ROSS is the winner of the 2023 Trillium Book Prize and the 2019 recipient of the prestigious Harbourfront Festival Prize. He is a Cobourg-based fiction writer, poet, editor, translator, and creative-writing instructor. He has been active in the Toronto literary scene since the mid-1970s. In 1987, he co-founded, with Nicholas Power, the Toronto Small Press Book Fair, and was co-coordinator of the fair for its first three years. In 2008, he co-founded the Meet the Presses collective. Stuart is a member of the Nelson Ball Prize Committee, which administers a $1,000 award each year to a Canadian poetry publication featuring "poetry of observation."
Stuart is the author of twelve full poetry collections, most recently The Sky Is a Sky in the Sky (Coach House Books, 2024); 70 Kippers: The Dagmar Poems (w/ Michael Dennis; Proper Tales Press, 2020); Motel of the Opposable Thumbs (ECW Press, 2019); and A Sparrow Came Down Resplendent (Wolsak and Wynn, 2016), winner of the Canadian Jewish Literary Award for Poetry.
Stuart is also the author of five novels, including Pockets (ECW Press, 2017) and Snowball, Dragonfly, Jew (ECW Press, 2012), co-winner of the Montreal Jewish Library's Award for Fiction on a Jewish Theme, and three story collections — I Am Claude François and You Are a Bathtub (Anvil Press, 2022), Henry Kafka and Other Stories (The Mercury Press, 1997) and the Relit Award-winning Buying Cigarettes for the Dog (Freehand Books, 2009) — as well as two collaborative novels, a memoir, and two books of personal essays, Confessions of a Small Press Racketeer (Anvil Press, 2005) and Further Confessions of a Small Press Racketeer (Anvil Press, 2015). He is editor of the anthology Surreal Estate: 13 Canadian Poets Under the Influence (The Mercury Press, 2004) and co-editor of Rogue Stimulus: The Stephen Harper Holiday Anthology for a Prorogued Parliament (Mansfield Press, 2012), and has edited several literary magazines, most recently Peter O’Toole: The Journal of One-Line Poems and HARDSCRABBLE. He was the Fiction & Poetry Editor for This Magazine for eight years and had his own imprint, "a stuart ross book," at Mansfield Press for a decade. He currently has an imprint, A Feed Dog Book, for surrealist poetry at Anvil Press, and another, 1366 Books, for experimental fiction, at Guernica Editions.
Stuart’s work has appeared in scores of journals here and in the U.S., including Event, Malahat Review, Harper’s, The Walrus, This Magazine, Gargoyle, Geist, Rampike, Canadian Forum, Jubilat, Gargoyle, West Coast Line, illiterature, Arc, Stone the Crows!, Fell Swoop, The Capilano Review, Aphros, Matrix, Bomb Threat Checklist, sub-Terrain, and Taddle Creek, as well as several anthologies and textbooks. He is the author of innumerable chapbooks, from Proper Tales Press, above/ground press, Happy Monks Press, Turret House, shreeking violet press, BookThug, Nose in Book Publishing, Curvd H&z, Pink Dog Press, Apt. 9, The Front Press, Puddles of Sky Press, and more. His column "Hunkamooga," which appeared regularly in sub-Terrain until 2012, was nominated for a National Magazine Award and a BC Magazine Award and was praised by the New York Times Book Review blog.
Stuart has frequently collaborated with musicians in live performance and on recordings. In 2008, singer-songwriter Ben Walker adapted 15 of Stuart's poems as pop songs; the results appear on the CD An Orphan's Song: Ben Walker Sings Stuart Ross. In 2014, Stuart became the voice component of the noise trio Donkey Lopez. In 2006 and 2015, Nova Scotia choreographer Lisa Phinney created dance pieces based on Stuart's poems. More recently, Stuart has been collaborating with guitarist Domina Eliahou.
Stuart has given readings at hundreds of venues in Canada, the U.S., Slovenia, England, Chile, and Nicaragua. He has appeared widely at festivals, including the Vilenica International Literary Festival (Slovenia), the Vancouver Writers Fest, the Ottawa International Writers’ Festival, the Banff-Calgary WordFest, the Ottawa Folk Festival, the Ashkenaz Festival of Yiddish Culture (Toronto), MayWorks (Toronto), Scream in High Park (Toronto), the Vancouver Jewish Book Fair, the West Coast Poetry Festival (Vancouver), Hillside Festival (Guelph), BookFestWindsor, Words Aloud (Owen Sound, Ont.), Wordstock (Sudbury, Ont.), Poetry on the Rocks (Kimberley, BC), Luminato (Toronto), the Lucerne Writers Festival (New Denver, BC), Words in Whitby, and Rage on ’24th (Edmonton).
His work has been translated into Russian, French, Slovene, Nynorsk, Spanish, and Estonian. Stuart has led poetry and fiction workshops for adults and teens and has taught several professional-level editing workshops. He has taught writing at the elementary and high school levels across the country, and has conducted his one-day intensive Poetry Boot Camps in Vancouver, Pickering, Toronto, Oakville, Ottawa, Nelson, New Denver, St. Albert, Banff, and beyond. In January 2006, Stuart led a two-week poetry workshop at the Los Parronales Writing Retreat in Chile. He was also invited by the Chilean Ministry of Education to address Chilean English teachers, at the 2006 English Summer Town in Santiago, on using poetry as a language-teaching tool.
Stuart was the 2002 Writer in Residence for the Writers’ Circle of Durham Region, the 2003 Poet in Residence for the Ottawa International Writers' Festival, and the 2005 Electronic Writer in Residence for the Toronto Public Library’s youth website. In 2010, Stuart was Writer-in-Residence at Queen's University and in winter 2021 the Writer-in-Residence at University of Ottawa, where he taught a fourth-year creative writing course he created: Blowing Up Fiction. Stuart regularly gives talks to teachers, librarians, writers, students, and others on the small press movement, self-publishing, his writing life (now with exciting PowerPoint presentation!), nurturing creativity in non-writers, and other topics.
One more thing: he will do a reading in your living room. Contact him for details.
One or more of: reading, talk about my life as writer, Q&A, workshop.
Generally, my workshops are hands-on, writing-production workshops rather than critique workshops.
Workshop, reading, Q&A, talking about my life as a writer; any combination of those.